Artists Pigments Feller
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Pure Pigments For Artists ivory black $16.49 Suitable to prepare colors to be used for the most diverse techniques, including fresco painting, oil, watercolor, acrylics, fatty tempera, egg tempera and others. The pigments that make up the entire range include synthetic inorganic, such as iron oxides, sulphides and sulphurselenides of cadmium and cobalt. They also include organic pigments, such as azoics, phthalocyanides and quinacridones, and natural inorganic pigments (earths). All pigments are sold by weight in grams. |
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Pure Pigments For Artists permanent carmine $31.79 Suitable to prepare colors to be used for the most diverse techniques, including fresco painting, oil, watercolor, acrylics, fatty tempera, egg tempera and others. The pigments that make up the entire range include synthetic inorganic, such as iron oxides, sulphides and sulphurselenides of cadmium and cobalt. They also include organic pigments, such as azoics, phthalocyanides and quinacridones, and natural inorganic pigments (earths). All pigments are sold by weight in grams. |
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Pure Pigments For Artists permanent red $31.79 Suitable to prepare colors to be used for the most diverse techniques, including fresco painting, oil, watercolor, acrylics, fatty tempera, egg tempera and others. The pigments that make up the entire range include synthetic inorganic, such as iron oxides, sulphides and sulphurselenides of cadmium and cobalt. They also include organic pigments, such as azoics, phthalocyanides and quinacridones, and natural inorganic pigments (earths). All pigments are sold by weight in grams. |
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Pure Pigments For Artists oxide chrome $31.79 Suitable to prepare colors to be used for the most diverse techniques, including fresco painting, oil, watercolor, acrylics, fatty tempera, egg tempera and others. The pigments that make up the entire range include synthetic inorganic, such as iron oxides, sulphides and sulphurselenides of cadmium and cobalt. They also include organic pigments, such as azoics, phthalocyanides and quinacridones, and natural inorganic pigments (earths). All pigments are sold by weight in grams. |
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Pure Pigments For Artists phthalo turquoise $53.99 Suitable to prepare colors to be used for the most diverse techniques, including fresco painting, oil, watercolor, acrylics, fatty tempera, egg tempera and others. The pigments that make up the entire range include synthetic inorganic, such as iron oxides, sulphides and sulphurselenides of cadmium and cobalt. They also include organic pigments, such as azoics, phthalocyanides and quinacridones, and natural inorganic pigments (earths). All pigments are sold by weight in grams. |
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Artists’ Pigments: A Handbook of their History and Characteristics Volume 1 (v. 1) $35.00 Now distributed by Oxford University Press for the National Gallery of Art, Artists’ Pigments is the first and most complete handbook of its kind. Volume 1 looks at Indian yellow; cobalt yellow (aureolin); barium sulfate; cadmium yellows, oranges, and reds; red lead and minium; green earth; zinc white; chrome yellow and other chromate pigments; lead antimonate yellow; and carmine…. |
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Artists’ Pigments: Volume 1: A Handbook of their History and Characteristics $79.95 A Pigment Handbook is designed to reach a wide audience as the ultimate authority on artists’ colorants. With the support of the National Gallery of Art, Professor Robert Feller has edited a collection of essays on ten of the most important pigments for conservators, restorers and art historians. Many of the monographs first appeared in the quarterly of the International Institute for Conservation… |
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Artists’ Pigments: A Handbook of Their History and Characteristics (Vol 3) $72.00 The third volume in this magisterial series contains articles on Egyptian Blue, Orpiment and Realgar, Indigo and Woad, Madder and Alizarin, Gamboge, Vandyke Brown, Prussian Blue, Emerald Green and Scheele’s Green, Chromium Oxide Greens, and Titanium Dioxide Whites…. |
At 20 Years Old , Qudus, Who Performs Under The Moniker Doe Eye, Is Already Making Noise Fragile, Haunting Noise In The Bay Area Music Scene.
The inspirational clich for expectant artists is "the sky's the limit," except for Union City singer songwriter Maryam Qudus, the sky may simply become a view from the ladder of success she soon sits on.
At 20 years of age , Qudus, who performs under the moniker Doe Eye, is making noise fragile, haunting noise in the Bay Area music scene.
She released her debut EP, Run Run Run, last month to high praise from indie music blogs and internet sites.
"Since then, things have occurred terribly fast," she revealed. "The reply has been amazing."
Her lead single, "I Hate You," has started receiving spins on Live105, the number 1 rock radio stations in the Bay Area. The video for the song, which debuted online the same day as her EP's release on Aug. Nineteen, was afterwards featured on the station's website, together with many other music blogs.
Produced by Steven Murr, you wouldn't know the record was made with small help from outside musicians. Qudus is the only vocalist and guitar strummer heard on the record, with a guest drummer on 2 tracks. All the other instruments were made digitally by Murr to make a polished, top quality indie-folk production.
In its abruptness, the four-track EP reveals Qudus's vulnerabilities, hopes and wishes, wrapped in her appealing vocals that even make the words "I hate you" sound captivating.
"I like to make something out of my emotions," she revealed. Her feelings range all the way from the bold and defiant lead single to the somber and optimistic dreamscape of "Sea to See"
"The scars on my feet / It is the strength I am going to keep / Through the ghastly and beauty that lies ahead," she sings on "Sea to See."
"It's about being held back and needing to let go of things you are terrified of, taking probabilities and not being fearful of doing something because you'd get hurt," she said about the track.
That absence of fear and unbending determination are what set Qudus' career in motion at a young age.
She has had a taste for singing for as long as she can remember, but didn't get serious about playing music until she was in middle school, where she picked up the guitar and learned on her very own, she revealed.
"I'm not the best guitarist, but I know enough to draft songs off it," said Qudus, who owns three guitars, a bass, keyboard and tambourine.
Driven to make a job of music, she started paying for her very own voice lessons at 16 after getting a part time job. "Every greenback I made went to that," she said.
Last year, she attempted to write one new song a day. "I did not pressure myself. It didn't have to be good. I could not keep it up, but it taught me a lot," she revealed.
She took those "skeletons" of songs to Murr. "He took those concepts and made them bigger," she announced,writes tagza.com.
The last 2 months have been the "craziest" for her, she claimed.
In the last two weeks of July, she recorded and finished her EP. Right after, director Adrien Colon filmed the noire-like black-and-white video for her single
While she's excited for the openings that may come from her recent exposure, she's not playing the waiting game. As an alternative she's pushing forward with her education to further develop her craft.
This Saturday, Qudus packs her life into four enormous suitcases and sets for the east coast to attend the Berklee School of Music in Boston. She already plans to assemble a band and tour the coast, and return typically for spot dates in the Bay Area.
"My career will only get better from here," she revealed. "There's a lot more songs to come."
By next summer, she hopes to perform at Live105's BFD and the Outside Lands holidays, a couple of the largest music holidays in the Bay Area.
"I think I can make it happen," she said.
